In her trademark fashion, with Push, Sylvie Guillem has nudged the boundaries of what constitutes modern dance and raised further poignant questions about where it might go.
Obviously, there's something in it for practically everyone; male, female, or she-male. After all, one way or another, at any given age, we all have a vested, or unvested, interest in breasts.
What? You haven't heard of Gavin Ahearn? Does that mean he's not such an eminent pianist? Uh-uh. It means he's been enjoying favour, for the best part of the last decade, overseas.
This fascinating play is a tight character drama with a simple yet captivating plot that deals with basic human foibles in a time of rising social and religious conservatism.
Neil LaBute’s fatalistic view of the sense of futility and rage that exists among the underclasses of suburban America provides an interesting, though unsettling, night in the theatre.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.