
The Comedy of Errors is tremendous fun. The entire cast is terrific in one of Shakespeare's earliest, shortest and most farcical plays.

If the Adelaide Cabaret Festival were a dessert, Meow Meow would be the cake, the icing and the cherry on top.

Tom Holloway's extraordinary play, And No More Shall We Part, bristles with intelligence, a tsunami of emotion and delights lovers of cerebral weepies.

Rramp is an acutely off-beat show and curiously engaging, like a slow motion Dali style car-crash.

This new ensemble is a slicker, classier façade backed by a smoking four piece of seriously jazzy gents.

Chenoweth is devilishly dirty, irreverent, and utterly hilarious. More than this though, she seems like a genuinely lovely person.

Her roles in the films Sixteen Candles, Pretty in Pink and The Breakfast Club have made Molly Ringwald a pop icon. These films may have defined her as an artist, but there is actually far more to Ringwald than just acting.