Adelaide Reviews
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- Stephen Davenport
Tom Holloway's extraordinary play, And No More Shall We Part, bristles with intelligence, a tsunami of emotion and delights lovers of cerebral weepies.
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- Tessa Leon
Rramp is an acutely off-beat show and curiously engaging, like a slow motion Dali style car-crash.
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- Tessa Leon
This new ensemble is a slicker, classier façade backed by a smoking four piece of seriously jazzy gents.
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- Ben Nielsen
Chenoweth is devilishly dirty, irreverent, and utterly hilarious. More than this though, she seems like a genuinely lovely person.
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- Ben Nielsen
Her roles in the films Sixteen Candles, Pretty in Pink and The Breakfast Club have made Molly Ringwald a pop icon. These films may have defined her as an artist, but there is actually far more to Ringwald than just acting.
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- Ben Nielsen
As the curtain was raised last night, cabaret returned to its home at the Adelaide Festival Centre.
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- Ben Nielsen
Shane Warne – The Musical has received a few careful nips and tucks before returning to the stage at this year’s Adelaide Cabaret Festival.
Most read Adelaide reviews
RBG: Of Many, One | State Theatre Company South Australia
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
Now playing Adelaide
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
There is no doubt that the three programs presented by the Ensemble Pygmalion were the sensation of this year’s Adelaide Festival.