Adelaide Reviews
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- Ben Nielsen
On the road to promote her new album Encore, Marina Prior discards the garb of her usual stage roles to perform in an exposed, acoustic setting.
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- Peter Bleby
This production has some appropriately charming moments, within a somewhat pedestrian style presentation with all the hallmarks of an old fashioned, 50’s musical.
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- Peter Bleby
This production of a fine Australian play shows considerable potential for the developing theatrical maturity of these up and coming actors and director.
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- Peter Bleby
This show has it all – singing, dancing, heroes, villains, children, dogs, colour, lights and spectacle, fun, laughter, illusion and most spectacularly, a flying car.
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- Ben Nielsen
The new realisation of Henrik Ibsen’s work tastefully envelops the audience in a story of both tradition and relevance.
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- Peter Bleby
Where there is Mel Brooks there is craziness. The Producers has this in spades, and the ever-talented and adventurous Hills Musical Company comes up trumps in this production.
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- Peter Bleby
A dinner like no other, this play is a feast of indigestible pseudo philosophy, sychophantic admiration, machiavellian plotting, towering hypocrisy and class deconstruction, served with a sweet overlay of some lusciously funny lines.
Most read Adelaide reviews
RBG: Of Many, One | State Theatre Company South Australia
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
Now playing Adelaide
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
There is no doubt that the three programs presented by the Ensemble Pygmalion were the sensation of this year’s Adelaide Festival.