
It's a pity that Burlesque is a one-off performance. It deserves to be heard by many more lovers of fine music.

The Bakehouse Theatre Company's latest offering is a tour de force, enthralling from start to finish and lingering long after the final moving moments.

The Hills Musical Company's revival of Sweeney Todd: The Demon Barber of Fleet Street is bloody good.

University of Adelaide Theatre Guild’s The Pillowman is a thriller that confronts, chills and probes in a way that leaves questions – but none about its brilliance.

Interlocking rhythms and unconventional use of performance space raised audience expectations and indicated that this is an ensemble committed to breaking preconceptions, practices and perceptions of contemporary classical music.

Ma Lu and Ming Ming are not star-crossed lovers as such, but rather are caught in a web of unrequited love. At first intriguing, this tale gradually descends into the dungeons of despair.