Adelaide Reviews
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- Stephen Davenport
The Hills Musical Company's revival of Sweeney Todd: The Demon Barber of Fleet Street is bloody good.
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- Stephanie Johnson
University of Adelaide Theatre Guild’s The Pillowman is a thriller that confronts, chills and probes in a way that leaves questions – but none about its brilliance.
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- Dr Daniela Kaleva
Interlocking rhythms and unconventional use of performance space raised audience expectations and indicated that this is an ensemble committed to breaking preconceptions, practices and perceptions of contemporary classical music.
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- Stephanie Johnson
Ma Lu and Ming Ming are not star-crossed lovers as such, but rather are caught in a web of unrequited love. At first intriguing, this tale gradually descends into the dungeons of despair.
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- Joanna Bowen
Buried Child should be put six feet underground and left there. This latest offering by the State Theatre Company of SA is an emotionally violent, poorly acted two hours of pain.
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- Dr Daniela Kaleva
Quasi-cinematic in both its orchestral writing and mise-en-scène, Moby Dick has the ambition to lead the operatic genre into the future.
Most read Adelaide reviews
RBG: Of Many, One | State Theatre Company South Australia
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
Now playing Adelaide
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
There is no doubt that the three programs presented by the Ensemble Pygmalion were the sensation of this year’s Adelaide Festival.