Adelaide Reviews
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- Simon Eales
This rendition of The Farce of Sodom, most likely written by the infamous Earl of Rochester in the late 17th century, excites very little movement of the loins.
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- Jane Howard
The Year of Magical Wanking is Neil Watkins’ one man monologue: a year of dealing with his HIV, living in his dead grandfather’s apartment, with an obsession with violent porn.
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- Simon Eales
Mike Wilmot is one of the comic laureates of Canada, so it's understandable that he had a hard time dealing with performing in a tent.
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- Simon Eales
The physical theatre piece, incorporating elastic movement, poetic monologue, dialogue, and voiceover, charts the development of humankind from the ritual of birth to the eternal repetition of the human experience.
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- Simon Eales
Belt Up Theatre's Outland, dips in and out of the mind of Lewis Carrol, exploring the way that he created his characters and worlds.
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- Simon Eales
I did enjoy that he reminded me of some 90s cultural quirks, and just generally made me feel special in my Gen Y-dom. But I was going "huh" much more than "HA!"
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- Simon Eales
The Chants Collective, sub-set of the Present Tense Collective, push the boundaries of this form and 'deliver' big-time. Chants bursts out the sides of its 60-minute, sandstone scope.
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Death of a Salesman | GWB Entertainment
There is no single villain, only the accumulation of ordinary disappointments that eventually becomes unbearable.
Now playing Adelaide
There is no single villain, only the accumulation of ordinary disappointments that eventually becomes unbearable.
Based on the treatment here, calling the resulting show Cohen Noir seems somewhat inaccurate.