Adelaide Reviews
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- Simon Eales
Mike Wilmot is one of the comic laureates of Canada, so it's understandable that he had a hard time dealing with performing in a tent.
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- Simon Eales
The physical theatre piece, incorporating elastic movement, poetic monologue, dialogue, and voiceover, charts the development of humankind from the ritual of birth to the eternal repetition of the human experience.
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- Simon Eales
Belt Up Theatre's Outland, dips in and out of the mind of Lewis Carrol, exploring the way that he created his characters and worlds.
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- Simon Eales
I did enjoy that he reminded me of some 90s cultural quirks, and just generally made me feel special in my Gen Y-dom. But I was going "huh" much more than "HA!"
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- Simon Eales
The Chants Collective, sub-set of the Present Tense Collective, push the boundaries of this form and 'deliver' big-time. Chants bursts out the sides of its 60-minute, sandstone scope.
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- David Jobling
Carol Young explores how easy it is to fall in love with someone you've never met in this spooky solo comdey/cabaret performance for CabFringe, as part of the Adelaide Fringe.
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- Simon Eales
Fleur Murphy's story-telling sparkles in this gritty piece about four 'femme fatales' embroiled in the same 1920s, Australian underworld crime.
Most read Adelaide reviews
RBG: Of Many, One | State Theatre Company South Australia
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
Now playing Adelaide
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
There is no doubt that the three programs presented by the Ensemble Pygmalion were the sensation of this year’s Adelaide Festival.