Adelaide Reviews
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- Jane Howard
The Year of Magical Wanking is Neil Watkins’ one man monologue: a year of dealing with his HIV, living in his dead grandfather’s apartment, with an obsession with violent porn.
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- Simon Eales
Mike Wilmot is one of the comic laureates of Canada, so it's understandable that he had a hard time dealing with performing in a tent.
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- Simon Eales
The physical theatre piece, incorporating elastic movement, poetic monologue, dialogue, and voiceover, charts the development of humankind from the ritual of birth to the eternal repetition of the human experience.
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- Simon Eales
Belt Up Theatre's Outland, dips in and out of the mind of Lewis Carrol, exploring the way that he created his characters and worlds.
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- Simon Eales
I did enjoy that he reminded me of some 90s cultural quirks, and just generally made me feel special in my Gen Y-dom. But I was going "huh" much more than "HA!"
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- Simon Eales
The Chants Collective, sub-set of the Present Tense Collective, push the boundaries of this form and 'deliver' big-time. Chants bursts out the sides of its 60-minute, sandstone scope.
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- David Jobling
Carol Young explores how easy it is to fall in love with someone you've never met in this spooky solo comdey/cabaret performance for CabFringe, as part of the Adelaide Fringe.
Most read Adelaide reviews
Cohen Noir | Monsieur Camembert
Based on the treatment here, calling the resulting show Cohen Noir seems somewhat inaccurate.
Now playing Adelaide
Based on the treatment here, calling the resulting show Cohen Noir seems somewhat inaccurate.
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.