Adelaide Reviews
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- Nicholas Routley
This was a brilliant, brave, an deeply stirring show. It did not answer many practical questions, but I think our society isn't able to do this yet.
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- Nicholas Routley
Altogether, the concert was a triumph for the ensemble, and for Andrea Keller in particular, giving birth not just to new music but a new genre.
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- Nicholas Routley
More English than the Hilliard Ensemble you can't get. Not even if you are John Cleese.
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- Dr Daniela Kaleva
Musica Viva and Adelaide Festival have joined forces to bring to Australia the Canadian Tafelmusik Baroque Orchestra and their semi-staged multimedia show titled The Galileo Project: Music of the Spheres.
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- Dr Daniela Kaleva
The music shines with unexpected vibrancy of styles and variety of colours. The vocalists display a range of techniques from belting and opera to soft head voice tones, and a palette of ensemble and choral textures that are rarely heard in other works.
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- Simon Eales
Cy*bent*ity has the scope to be really, very scary. If you 'friend' its central character, Polly Wolly, on facebook, and then see the show, you have no idea what she could dig up.
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- Simon Eales
The song that goes, "Istanbul was Constantinople, now it's Istanbul, not Constantinople," has been on such high rotation in my head since this show that the words don't sound like English anymore.
Most read Adelaide reviews
RBG: Of Many, One | State Theatre Company South Australia
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
Now playing Adelaide
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
There is no doubt that the three programs presented by the Ensemble Pygmalion were the sensation of this year’s Adelaide Festival.