Adelaide Reviews
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- Simon Eales
The song that goes, "Istanbul was Constantinople, now it's Istanbul, not Constantinople," has been on such high rotation in my head since this show that the words don't sound like English anymore.
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- Simon Eales
The piece is about a man in self-destruct mode. It's like Steve McQueen's recent film, Shame, without the thinking space and with added cigarette burns.
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- Dr Daniela Kaleva
If you ever wanted to hear J. S. Bach’s orchestral music played masterfully, then the Freiburg Baroque Orchestra is as close as it gets.
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- Simon Eales
Gentle's characterisations of some Aussie stereotypes are pretty spot on, and draw laughs repeatedly from the audience.
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- Simon Eales
Theatergroep WAK, from the Netherlands, returns to this year's Fringe following their triumphant Best Theatre Production award-winning 'Nothing is Really Difficult' at the 2011 Fringe. With LevelLess, the group bring their signature playfulness and innovation. WAK always strive to do the unexpected.
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- Simon Eales
If you haven't seen him, you should. He has cult status. This is mainly because he does comedy that others don't have the balls to do.
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- Simon Eales
Their show is replete with spot-on, witty, and off-the-cuff raillery. And plenty of other stuff too. Their skits are random, playful, and packed-full of personality. They interact with the audience easily and commit impressively to some risky material.
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Death of a Salesman | GWB Entertainment
There is no single villain, only the accumulation of ordinary disappointments that eventually becomes unbearable.
Now playing Adelaide
There is no single villain, only the accumulation of ordinary disappointments that eventually becomes unbearable.
Based on the treatment here, calling the resulting show Cohen Noir seems somewhat inaccurate.