Adelaide Reviews
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- Dr Daniela Kaleva
If you ever wanted to hear J. S. Bach’s orchestral music played masterfully, then the Freiburg Baroque Orchestra is as close as it gets.
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- Simon Eales
Gentle's characterisations of some Aussie stereotypes are pretty spot on, and draw laughs repeatedly from the audience.
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- Simon Eales
Theatergroep WAK, from the Netherlands, returns to this year's Fringe following their triumphant Best Theatre Production award-winning 'Nothing is Really Difficult' at the 2011 Fringe. With LevelLess, the group bring their signature playfulness and innovation. WAK always strive to do the unexpected.
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- Simon Eales
If you haven't seen him, you should. He has cult status. This is mainly because he does comedy that others don't have the balls to do.
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- Simon Eales
Their show is replete with spot-on, witty, and off-the-cuff raillery. And plenty of other stuff too. Their skits are random, playful, and packed-full of personality. They interact with the audience easily and commit impressively to some risky material.
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- Simon Eales
Reid improvises freely and, throughout her 30 minute piece, aims to break traditional notions of the performer/audience divide.
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- Simon Eales
This rendition of The Farce of Sodom, most likely written by the infamous Earl of Rochester in the late 17th century, excites very little movement of the loins.
Most read Adelaide reviews
RBG: Of Many, One | State Theatre Company South Australia
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
Now playing Adelaide
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
There is no doubt that the three programs presented by the Ensemble Pygmalion were the sensation of this year’s Adelaide Festival.